IngramSpark

Is Print on Demand (POD) the Solution for Your Book Project ?

Printing on demand (POD) has driven an independent publishing boom, as it has made printing and distributing a professionally produced book into readers’ hands much more attainable for the everyday writer. It has democratized publishing in a way perhaps the internet did for writing in general, allowing everyday people to be able to get a book out to the masses without needing a publishing contract or a huge lump sum of money for printing and distribution.

Your book might be a good fit for print on demand if:

Your book is black and white (grayscale) in the interior.

While print on demand does have the capability to print color, the consistency and quality of the color is significantly less than on a professional offset press. The cost is also signifincantly more. I have had clients print full color cookbooks on Amazon KDP, Ingram Spark, or other POD websites, but the cost of printing can be 3 to 6 times more than printing offset in the USA or China.

Your book doesn’t require any special papers, finishing techniques or spot/Pantone colors.

POD printing is great for trade paperback and hardback type books that are standard sizes, generally bound on the left or right side, use glue binding, printed on standard paper, etc. If you are wanting coil bound or gold foil on the cover or rounded corners or thick paper, you’ll have to look somewhere else (although POD companies are starting to offer more paper options!) If you need the color of your cover to be a Pantone, neon or spot color that matches your specifications perfectly, POD is not for you because it uses CMYK color. POD is for mass market use but not really for custom books.

Your book is not a journal.

I don’t recommend using POD printing for journal products because the paper and binding of a POD book is not strong and thick enough for the heavy wear and tear most journal users apply to their book. I design journals regularly but they are usually printed in Asia. I have a whole section about journals on my articles page.

You are willing to lose a little bit of quality control for a lot of convenience.

There are some things about printing a one-off book that are out of your control. Your book might look a little different when it is printed and shipped on October 7 in Mumbai than on October 8 in Munich. Color shifts, spines that are slightly off center, and sometimes the occasional worse faux pas can happen with one-off book orders. There are not 1,000 perfectly printed and matching books somewhere that you have checked and approved for distribution. POD adds the possibility of a bit of error with each printing. But someone just ordered your print book from Munich or Mumbai and got it within a couple of days—how cool is that?

You are a bit tech savvy (or have a friend who is).

Uploading your book to Amazon KDP or a similar website, troubleshooting any issues that come up, etc. can be tough if you are technologically challenged. I refer my clients to someone who can deal with a lot of the technical issues, but you need some basic computer and internet skills to keep up with your own book launch.

You are OK with paying more per unit for the convenience of not having to pay for a full print run up front.

Printing on demand has a higher cost per unit compared to traditional printing, especially for large print runs. POD printing is ideal for smaller print runs (1 or more) but can easily cost 5x or more what it would cost if you printed a bulk run of your books with an offset printer. If investing in offset printing is not a problem for you, you can save a lot of money in the long run, if you have buyers for your books.


If you have read all of these items and still think your book is a good fit for POD printing, congratulations! It really is a wonderful option for self-publishers.

And if print on demand is not a good option for your kind of book, you’re still in the right place. I cut my book design teeth at an offset book printer and am familiar with that method of printing books as well. It’s still going strong for colorful books, custom books, journals, or books being printed in a big quantity. You might want to start here, to find out what a book printer needs to know price your book printing project.

Let’s talk about your book design: fill out this form for book design projects and this form for journal design projects.

Tips for Marketing Your Book

Some time ago I started following Emily Enger from Good Enough Book Marketing. We both apparently like the color yellow (though I go a bit more mustard and she goes a bit more lemon) and we both work with authors getting their books out into the world. While marketing books is not my shtick, I often end up in conversations with my clients about marketing ideas and I feature their best marketing ideas in my newsletter. And so it was time to talk to someone who knows more about all of this than I do, and pick her brain for some advice for you. Marketing your book should start before you're ever ready for my services but never really ends. No matter where you are on your author journey, I hope you’ll find Emily’s marketing tips and tricks in this article helpful!

Emily, I was interested in your business as soon as I saw the name “Good Enough Book Marketing”. How did you pick that name and why?

Haha. I knew that name would be a risk: people would either love it or hate it. So I really debated whether to use it. But I am a recovering perfectionist, so my journey into the marketing mindset I have today was hard-won. And I wanted to honor that journey in the name of my business. There have been a few negative comments from people who think I may be teaching authors to be lazy with their marketing or that success is bad, but overall I get great feedback on my business name. I think it gives authors permission to prioritize their writing. The marketing gets to be secondary when you’re an author. That’s okay.

Yes, the vibe I get from you is that book marketing is important, but not the be all and end all of being an author. I like that.

Maybe a good initial topic is developing a brand guide. What is this and how can an author or content creator develop this?

A brand guide is a document authors create to help them define what they want their “brand” (or public image) to be. It helps authors figure out things like:

  • Who is my target audience?

  • What is my professional “tone” or voice that I use when marketing my books?

  • What is the mission statement that is driving my desire to be a writer?

  • What do I want to be known for?

Many people think the idea of a “brand” is too business-focused to apply to authors, but the truth is that all of us are a type of personal brand. Especially if you are on the internet.

By gazing inward to develop a “brand guide,” authors learn more about who they are both personally and professionally. And it helps them keep their messaging on-point (no distractions) as they market their books.

Once a writer or author has thought through their brand guide, they can start to think practically about marketing their book. The biggest mistake I see first-time authors make is thinking they only need to start marketing once they have their book in hand. Can you talk about when book marketing begins?

The success of book marketing really does hinge on how early you start. Marketing is like a slingshot—the farther you pull it back before your book is out, the farther your book will launch on release day.

Is there such a thing as too early? Yes, there can be. When you are writing the first draft of your book, it is important to remove any distraction—and that includes marketing. So if the marketing is getting in the way of your creativity, then it’s time to hit pause. Just hone in on your craft and enjoy the story.

Once you have an initial draft created, then I recommend some “light” marketing, usually in the form of networking (or building relationships). Go to a few writing retreats, which will provide both connections as well as support for your craft as you are revising your book. You can also create social media accounts or a newsletter at this point, if you don’t already have them. Since you have at least one complete draft, you can be confident that your book is coming together and feel less imposter syndrome about showing up online as a writer.

Once your final draft is done (and you have had it professionally edited and proofread), the marketing will vary by publishing path. If you are going to traditionally publish, then keep maintaining the “light” marketing as you pitch to agents. If you are self-publishing, it’s time to research and submit your book to professional reviewers or trade magazine reviews (Kirkus, Publisher’s Weekly, Library Journal, etc.), because you won’t have a publisher to do that for you.

Do you have any advice for an author who is wanting to get his or her online presence set up? What is needed and what is the best way to go about it?

I believe websites are an important part of an author's online presence. While they are not a big connection point with one's readers, they go a long way to make a positive impression with other professionals inside the book industry, including journalists, book reviewers, book event coordinators and more. I even had a client's website help land his publisher! Websites used to be much cheaper to set up than they are now. If you have some technical abilities, Wordpress is still the cheapest route for DIY options, but it can get complicated. Take the time to price out some local web designers in your area, because they might be cheaper in the long run than doing a more expensive drag-and-drop website building platform—those have started getting pricey. I would also be cautious about platforms that "specialize" in websites for authors. They are usually priced high, too, in exchange for the convenience. Remember that you will have this website forever, so that monthly fee to maintain/host your site matters. Sometimes paying a large amount up front to a designer, but smaller maintenance fees going forward actually ends up being less money long-term.

The other piece about an online presence that is often forgotten is high-quality photos! In order to have a professional, engaging social media presence or website, you need to have several photos of yourself. These photos should not just be boring headshots! Go on a fun photo shoot with a friend and find some of your favorite spots—a state park? a coffee shop? a bookstore? Stage some photos that match your personality but also look like you are an approachable, engaging person. Maybe you are laughing or rolling your eyes or enjoying a giant cup of coffee with your eyes closed and a relieved expression on your face. You will want an entire folder of fun photos that you can pull from at a moment's notice when you need something to post.

If you are going to start a podcast, the most important thing you need is a quality microphone—you can find lots of inexpensive options online or at Target. You don't need the fanciest one out there. Any external microphone is going to be good enough and much better quality than your computer's internal mic. There are a lot of other podcasting tools you will find for recording or uploading each episode. Whatever you choose to use, I always recommend using either the cheapest option or tools that are free. Remember that you can upgrade as you get more confident and your platform grows, but when you are just starting, you don't even know if you like podcasting yet. So don't throw a lot of money into something until you have been doing it for awhile and know that it fits your style and is actually helping your career grow.

Whatever you decide for an online presence, remember to start small and attainable. The key to marketing has always been consistency. If you do too many things and can't regularly show up for them all, your career will not grow. It is better to pick a couple of paths and regularly give them your attention.

What are the book marketing strategies that you think are working best right now?

The best strategy to focus on before your book comes out is your platform. Your "platform" is any online presence you have that connects directly to your readers. So that could be social media, a Youtube channel, a podcast, a newsletter, a blog, etc. Pick just one or two places you want to show up online and give it/them your attention. What do you talk about before your book is out? You have to find topics that those who enjoy your future book will also love—because you only want your audience to be made up of people who will eventually buy your book. So you could recommend books by other authors who are similar to you (maybe even interview some of those authors on your channel!) Or you could focus on topics that come up in your book. Will your book deal with women's issues? History? Food? These are all things that could make great angles for your posts/episodes now, too!

My favorite strategy is applying to have your book promoted on a promotional email list. There are so many, but here are a few of my favorites for you: BookBub, Written Word Media, Robin Reads. These companies email their massive list of followers, segmented by genre, about really cheap ebook deals currently available. And they are pretty good about only including a handful of books per email, so if your book is listed, it won’t be lost in a huge sea of other books. And remember: these emails are opened by people for the express purpose of finding a book to read today. So the conversion rate is usually great. It is worth it to put your ebook on discount to be included in these!

Another important marketing strategy people forget about is building relationships with bookstore owners, particularly at local bookstores. Book sellers love pushing local books because readers typically enjoy discovering local authors. When you make a relationship with a bookstore, you have salespeople who are pushing your book on your behalf, so you don’t have to do so much of the “sales” talk. Do keep in mind that bookstores need a wholesale distributor to buy your book from, not Amazon. So if your book is exclusively on Amazon, you won’t be able to pursue this path. (I recommend IngramSpark as a print on demand wholesale distributor.)

You talk about book marketing activities you can stop doing today. Can you tell us about some of those and why?

Which activities you can stop doing depends heavily on your genre. It also depends on your goals for that marketing strategy. Is your goal awareness or is it book sales? Those are very different things—both important, but they require different marketing tactics.

Let’s start with social media ads. These are not very effective at selling books, and they are getting more and more expensive. Why are they ineffective? Because when I am scrolling Instagram, I am busy looking at photos of my friends and tutorials from influencers. I am not thinking about buying a book in that moment and am not in the mood. Save your ad money for places like Amazon or another bookseller site—or for websites like BookBub that email subscribers good deals on books. Those ads will target readers right when they are looking to buy a book, thus will have a better conversion rate.

However, if your goal is not book sales, but platform growth, then social media ads are very effective. So if you just need a little boost in followers, then go ahead and take out an ad on the social media platform of your choice.

Another marketing tactic I find unnecessary is the trend of “writing to market.” This is when an author researches the topics and genres that are currently popular and then writes their book along those lines. It’s meant to be a way to “crack the code,” per se, of writing a bestselling book. And it could work if you are a very fast writer. But trends are changing faster than ever before and the market is bouncing around like a ping-pong ball. So getting your finger on the pulse of what is truly popular is difficult to do. I recommend writing the book you want to write, the one that keeps you up at night. Because the more you love your book, the more that love (and excitement) will be noticed by others.

When an author publishes with a publishing house, what is their responsibility in terms of marketing?

This varies from publisher to publisher. It also varies based on how valuable an author is to their publisher. Traditional publishing can be very unfair and biased when it comes to marketing, I’m afraid. If you are a publisher’s golden goose, they are going to fully take care of you so you can keep laying them golden eggs. But if you are a debut author that they are taking a risk on, the marketing support is going to be more limited for you.

The most important thing you can do in a traditional publishing deal is communicate well. Make sure there have been discussions—ideally in writing—about which party is going to do what. And don’t be afraid to nag or remind them of what they promised to do if you notice they aren’t fulfilling their end.

Typically, though, at bare minimum a publisher will distribute ARCs (Advanced Reader Copies or Advanced Review Copies of your book) to media and trade magazines, they will reach out to their media contacts list requesting feature interviews or their bookstore list for reading events. This could be personalized emails to those contacts on your behalf, or as basic as a mass email blast listing all their upcoming titles for the year. You don’t really know how hard they are going to advocate on your behalf, so it doesn’t hurt to follow up to some of those known bookstores or reporters yourself, too. In fact, it can only help your odds because it will remind the reporter about you and increase your name recognition in their mind.

Regardless of your publishing house, it is always the author’s responsibility to do any direct-to-consumer (or direct-to-reader) connecting. This could be through social media, a newsletter or blog, a podcast, etc. The way in which your nurture relationships with your fans is all on you.

Do you have any tips in particular for authors who are publishing for the first time or only publishing with Amazon KDP or another print-on-demand service? What are some tips to help your POD book get found on Amazon?

Amazon wants to make money off your book. But their best chance of making money is to push the titles that are already selling because there is some safe, “guaranteed” popularity there.

So if you want to stand out from the noise on Amazon—and have Amazon’s algorithm organically feature your book to new audiences—you have to prove that your book is popular through reviews. You need to convince your audience to not only buy your book, but to then leave a review once they have finished it.

The other important way to get Amazon to notice your book is to make your book available for pre-order before it launches and focus substantial marketing effort to convince readers to buy in that window. A bunch of early sales gets the attention of Amazon’s algorithm and they will then favor your book in hopes to keep making money off of it.

Can you share any tips for getting Amazon reviews and Amazon preorders, since these seem to be central to being successful with Amazon sales?

The key to success with Amazon reviews is to concentrate on them early. Although no one can leave a review until your book is live, you can start preparing to get reviews during the pre-order phase or when you are sending out ARCs (Advanced Reader Copies or Advanced Review Copies of your book). I like Book Sirens , which distributes your ARC to interested reviewers whom you would otherwise have no contact with. They are fully compliant with Amazon's Terms of Service and are very affordable. But you need to submit to them before your book is officially launched. So it requires some preparation. There are other services you can use that connect you to book influencers on social media. These influencers usually also post their review to Amazon and Goodreads (if they don't, just ask them to!) The service I have used is Book Influencers. However, this is also paid and will end up being more expensive than using Book Sirens. So it always helps to be "on the ball" and start working on this stuff as early as possible.

Of course, don't forget to just ask your current fans and friends to leave a review: make social media posts about it, newsletter topics, etc. And if someone mentions liking your book, follow up with them and ask that they leave an honest review on Amazon. I don't recommend immediately begging for a review the minute they give you a compliment—that can come off as desperate. But maybe a day or two later, send them an email saying "Hey, I was thinking of your kind words about my book. I really appreciate your feedback. Would you be willing to leave an honest review of your thoughts as an Amazon review, too? That would mean so much to me."

Sometimes my clients even ask for reviews on the final page of their book or journal. Depending on the genre, this can be effective, too!

Do you think book merchandise or swag is worthwhile to create? If so, what works best?

This also depends on your goals as a writer, as well as your genre. Some audiences adore swag, while others would never consider purchasing it. Knowing your audience is key to understanding if it’s worth it for you.

The other big piece to consider is what your goal with the swag is. Swag makes great pre-order bonuses, which encourage more pre-order sales and can help you get the attention of Amazon or land bestseller lists. So even if you don’t make your money back on the swag, if it increased the number of pre-orders enough to open new doors or hit important goals, then the expense was worth it.

I also think swag makes good “awareness” marketing—meaning your goal is not book sales, but just to get your name out there in people’s minds. But when you are choosing swag for awareness, keep in mind that you need to find products that are both useful and long-lasting.

I do not recommend bookmarks or stickers. Paper products tear too easily, only to end up in the garbage shortly after they’ve been given away. Those things don’t last long enough to get you a good ROI (return on investment). Look into things like pens, t-shirts, tote bags…things that people would use regardless of whether or not they like your specific swag. For example, your t-shirt might not be the favorite shirt I own, but I will probably wear it anyway, even if it’s just on laundry day.

My favorite swag is pens. They are cheaper than t-shirts or tote bags, but very useful. Until the ink is dry, no one throws away a pen!

Agreed! I recently had to go out and buy a bag of everyday pens because some swag pens that had served me for almost a decade all started to die at once!

Thank you so much for everything you have shared about book marketing! Where can my clients/readers find out more about you and learn more from your marketing insights?

They can learn more about me at emilyenger.com. I have a free download they can get titled “7 Book Marketing Activities You Can Stop Doing Today.”


Thanks for reading this post about book marketing! For more marketing insights, follow Emily Enger! Check out these ideas for journal marketing and how to use the final page of your book for marketing. Dig through my case studies for more ideas (search for the word “marketing” — most of my featured authors have shared their best marketing tips!)

Case Study - Self-Published Cookbook by Sharon Peddie and her daughters

Do you have a cookbook idea on the back burner? I receive a lot of cookbook design inquiries, but most first-time cookbook creators don't realize all the steps involved or the different professional services they need. Sharon Peddie, who released her self-published cookbook last fall, impressed me with her professionalism and careful organization of her whole cookbook project. I asked her if she could share how she managed and executed such a complex project. 

Sharon first connected with me in January 2022 and we started her cover design in May 2022. In June or July, she had her proofread Word files, and unedited photos ready. I connected her with a professional photo editor who added the final polish to each of her recipe images. I designed her book cover and interior. Together with the other service providers she worked with, we created a final product we could all be proud of.

Read on to learn more about the cookbook Sharon and her adult daughters dreamed up when they were suddenly all living together again, sheltering in place in early 2020. This cookbook was a 2.5 year labor of love. It's not just a recipe book for food, it has recipes for a healthy, beautiful life.

Introducing the f-words Cookbook

f-words mom let us say: food, family & friends is a cookbook written by inspirational author Sharon Caldwell Peddie and her three adult daughters. In addition to their delicious recipes, they share their experiences and philosophies around food, family & friends and the important role they play in the development of a healthy mind, body, and soul—and a beautiful life. It's a fun and joyful cookbook filled with pretty photos, inspiration and 130 recipes. It's a cookbook that will inspire you in and out of the kitchen.

This is Sharon's second book, but her first cookbook!


Sharon's Book Done Timeline

✍️ Writing started: April 2020
🎨 Files ready for design and layout:
May 2022
✔️ Book done (released): 
November 2022 



Sharon's Book Done Technical Details:

Your printer needs these kinds of details to give you a quote for printing a similar book.

Page count: 324
Dimensions (page size): 8 x 10 inches
Binding: Paperback

Interior details
Ink colors: Full color
Interior paper: 70lb Premium Color paper
Bleed: Yes

Cover details
Ink colors: Full color
Laminate: Matte 

Printer: IngramSpark 


Sharon's Book Done Take-Aways

Here are my questions for Sharon about self publishing and reaching book done. 

You and your daughters shot the photos for your cookbook. What are your best cookbook photography tips?

I have loved photography for many years and wasn’t a beginner. My daughters also have photography experience and together we decided to take our own food photos.

Shooting food is an art form and there are many elements to pay attention to. The food should be cooked to perfection, shot immediately upon completion and complimented with contrasting garnishes and some fresh ingredients. Light and composition are the most important. However, the perfect textures, staging, angles and dish shapes are all very important too. I think white or plain dishes allow the food to be the star in photographs. 

Pay extra attention to light with every shot. A good DSLR camera is a must so you can adjust lighting and shutter speed. Natural light is preferred and very important, however having a professional lighting kit is very helpful, too—there are many lighting kits available on Amazon.

Each photograph should create a mood for the dish. Each photograph should also tie in to the uniform vibe you are creating for the entire cookbook. 

See my article, too: How to shoot photos for a cookbook

What was the biggest surprise or challenge during your book project?

How long every step actually takes. The careful text editing process and attention to detail that was needed were the most challenging parts of the process.

I hear this a lot. I think independent publishers are rarely prepared for how long it takes to produce a professional cookbook. Could you explain why each step took so long?

Each process took so long because of all of the detail involved in a cookbook, especially one so long as ours (130 recipes).

Creating and perfecting enough recipes for a good cookbook takes years. Once you’ve perfected them, you then have to style them in a beautiful way and photograph them. Sometimes it takes making that recipe a couple of times before it’s photo-worthy. Each time you must shop for perfect ingredients for that dish. 

You then have to create a theme and structure for your cookbook so it’s organized and the content makes sense to your intended audience. In addition to recipes, you have to carefully and thoughtfully write content for the cookbook so that your reader can feel a connection to you and why you have these recipes in your cookbook. The content should all make sense as a whole. This takes a lot of time.

From there you need to hire all of the service providers for your cookbook. Finding them, interviewing them and making sure they have the qualifications you’re looking for is also time-consuming. Even after you hire them, it is challenging to make sure their availability matches with the timeline of your book as well as the schedules of all of the other service providers. Everyone’s schedules/availability don’t always line up perfectly, so you have to keep a rhythm that keeps your book moving along, while also understanding that there may be times you have to wait on someone to get to your project.

Each time a service provider touches your cookbook, you have to check or proof it all over again, make changes, and proof it again and again.

What service providers or partners did you have in creating and producing your book? 

After my daughters and I developed the concept and content for the book, I worked with:

  • a substantive editor who focused on our goals for the book, content, organization and presentation of our text/recipes. She helped us shape the cookbook to meet our goals and appeal to our intended audience. Our substantive editor also helped us organize the writing of our recipes to get them up to industry standards and make sure our recipes made sense to the reader at every step. 

  • a copy line editor who checked for grammar, spelling, language, formatting, style and technical consistency. The copy line editor also checked for factually incorrect statements, potential legal liability, etc. 

  • a book designer (Julie) who created sample cover and interior designs for us to choose from, and then designed our 324-page cookbook.

  • a photo editor who helped us create visual consistency between the photos in our cookbook. Our photo editor adjusted the lighting and style of the photos to provide that consistency while also making our photos look as beautiful as possible!

  • a proofreader who scrutinized our cookbook to catch mistakes in grammar, spelling, punctuation after design and layout; and finally,

  • an indexer who created an index to give our cookbook readers a map of where to find recipes, types of food, or information in the cookbook.

With so many people involved in this project, how did you keep yourself organized? Were there any systems you used or tips you could give to other cookbook creators?

On my Mac I have various calendars (ie: home, work, etc.) in different colors. I developed a digital calendar specifically for the cookbook and kept track of progress and goals on my cookbook calendar. I tweaked the calendar every.single.day to keep the progress report current and moving along toward the timeline goals. 

Which part of your book project was the most fun or rewarding?

The most fun was developing the cookbook with my daughters!

You did a lot of research about printing offset vs. printing on demand. How did you choose to print and distribute your cookbook with IngramSpark's print on demand service and why?

We chose IngramSpark because, at the time, we felt they could consistently provide a high quality print job for the price. We also thought they offered the more extensive distribution for our cookbook (vs. the other biggest POD contender, Amazon KDP).  

How did you decide between hard and soft cover, and interior paper thicknesses? 

Colored cookbooks with good quality are very expensive to produce. We chose softcover to keep the cookbook affordable for customers because we wanted to spend money on high quality interior paper and ink to give them a visually beautiful cookbook throughout. 

If you are deciding about print options for a POD cookbook, check this out:
Side-By-Side Comparison of IngramSpark Casebound Color Book
and Amazon KDP Softcover Color Book

How did writing and publishing this second book compare to writing your first book?

Writing my first book, "Grow Yourself Beautiful: A Smart Girl's Guide to Following Her Heart and Focusing on Her Inner Joy", seemed so hard. However, after creating and writing a cookbook, I realize it's a lot easier to just write something from my head and heart. The cookbook was a much bigger endeavor, as you have read above.

What is your best advice for marketing a book?

Marketing has to be multidimensional. You have to create relationships with people who have an interest in what you write about, on the social platforms they use. You have to be active on all of them, which is not easy.

Sharon has been faithfully creating content about her cookbook for social media.
She creatively integrates her book with various seasons and special events. —Julie

Connect with Sharon through her website, her blog or on Instagram.


At the end of this big project, Sharon joked that she missed being my regular email buddy. Ha ha. But really, we had fun bringing her project to fruition together. She was also so kind as to make this testimonial video for me: 

And while we're here, another new cookbook design video testimonial.


Let's get cooking!

Cookbooks are one of the most complex kinds of books to produce. Book a one hour brainstorming session or contact me to ask any specific questions by email.

As I wrote recently on LinkedIn, it's not uncommon that both returning and new clients contact me 6-12 months before their book is ready for design and layout, to get some advice for book planning.  There's almost no such thing as contacting me to early, but there is such a thing as reaching out too late (and having to rework your content because of oversights, or missing the opportunity to work together because our schedules don't line up). Sharon booked me about four months before she was ready to start on her cover, and that was perfect.

If you already have a lot of book details and would like an estimate, fill out my book project questionnaire. Let's move that back burner project to the front burner. Get your #bookdone. ✔️

How and When Can I Find Out the Spine Size of My Book?

An author recently asked if I could tell him the spine size of his book ahead of time. His cover design is already done (before book interior layout has begun) and he—being the clever man and marketing guru that he is—wants to get it made into 3D graphics that look like the final printed books and start using them in marketing.

He asked, “Can you estimate how many pages you think my book will be if we use the same layout, font, line spacing and justification as that book that I like? What measurements do I give to my cover designer for the hardback cover and paperback cover?”

In order to calculate the spine size, you need to know the number of pages in the book and the thickness of the paper being printed on. The printer will tell you the paper thickness, or help you calculate, but the book interior designer must tell you the final page count.

I wished I could just send him a magical number, but since I have not seen the final manuscript or even started to set up the interior files, it is impossible to give him exact specifications. Typesetting involves a lot of variables, even if there are standard body text and spacing sizes (more or less). The page count depends on how wide or narrow the font is, what size the margins are, how big the images and graphics are, how many pages of front and back matter there are, and even how far down the page each chapter starts, etc.

But I understand that the author in question wants an estimated page count and spine size for mock-up graphics. I gave my client a number, based on my experience with similar books, and asked him to give that to his printer and get a spine size / cover layout templates from the printer. He is using IngramSpark, and can get those cover templates generated on their website if he feeds them all the right info (ISBN, ink type, paper type, binding style, etc.)

In his case, the book will be printing in both hard and soft cover, so his cover designer needs to generate two separate templates and set up the cover two different times using the specs given to her by the printer. From there she will have approximate spine sizes for her 3D cover mock-ups. 

The actual spine size calculation for printing the covers always has to wait until the typesetting is done to be finalized. Once a print-ready interior file is prepared, the cover designer needs to revisit the cover templates and adjust accordingly. This can be a bit of a tedious process, so I do not recommend having your cover designer set up the book cover templates using the estimated page count unless you really need it, such as for an almost-perfectly sized 3D mockup.

How and when can you know the spine size of your book? Really, you can only know it when the book is fully typeset and approved for printing, so you are sure no more pages will be added or deleted. In the meantime, you’ll have to content yourself with a rough page count estimate provided by your book interior designer.

Side-By-Side Comparison of IngramSpark Casebound Color Book and Amazon KDP Softcover Color Book

I have more and more clients working with both IngramSpark and Amazon KDP (Kindle Direct Publishing) for POD (print on demand) printing, because they want both softcover and hardcover editions of their books. While Amazon KDP started to offer a few hardcover options in 2022, they still don’t have the wide variety of sizes in hardcover that IngramSpark has.

In the following post, I am going to show a side-by-side comparison of the same cookbook printed both with IngramSpark and Amazon KDP. The cookbook I am using for this comparison is Craig McMullen’s Sides for Holiday Entertaining: 60+ Delicious Thanksgiving Vegetable Recipes, available for purchase on Craig’s website.

At IngramSpark it was printed casebound using their “Premium Color” option on 70 lb. white paper (their best paper offering). Below is a screenshot of the IngramSpark offerings (as of November 2022). I had the privilege of working with Craig on the design of this passion project.

At Amazon KDP it was printed softcover, using their “Premium Color Ink” option on 60 lb. white paper. (Amazon calls it “60# or 90 GSM paper.) Below is a screenshot of the Kindle Direct Publishing offerings (as of November 2022).

This Thanksgiving cookbook is 7.5x9.25” page size. To upload his book files to IngramSpark and Amazon KDP, Craig needed three different PDFs. The same interior file could be used for both books, but the casebound (hardcover) book at IngramSpark required a different cover set-up than the softcover at Amazon KDP. Please note that it is important, if at all possible, for me to know how you will be printing (POD, conventional offset printing, etc.) and how many versions of a book you are printing (soft cover, hard cover) to provide an accurate estimate. In my experience, books set up for POD printing need to be prepared with that in mind to save any back-tracking later.

In this post, the IngramSpark print will always be shown on the left, and the Amazon KDP on the right. Below you see the front covers of the books shown side by side. The hardcover book is physically bigger because the hardcover board sticks out beyond the pages and helps to protect the interior paper. There is no major noticeable difference in the printing quality of the covers.

Below you see the back covers, the bulkier and sturdier structure of the casebound book is the only noticeable difference between the two. The books also have different barcodes/ISBNs.

The biggest noticeable difference between the interior of the two books is that the premium paper at IngramSpark is uncoated and the premium paper at Amazon KDP is coated. This makes the Amazon KDP printing look richer and deeper. Although both printers used the same file, there is a noticeable difference in the interior print, especially in black areas and in the photos.

The food photography on the interior of the cookbook has more contrast and looks sharper in the Amazon KDP print. This is primarily the effect of the coated paper vs. uncoated paper at IngramSpark.

Of course, if a person just saw one book or the other, they might not notice the more washed-out pictures in the hardcover edition. But if you are still deciding which way to go with producing your book, this information is useful for you!

For a book with few or no images, the IngramSpark uncoated paper could be fine, and it is a little bit thicker than the Amazon KDP paper. But the premium paper from Amazon KDP is a definite win over the premium paper from IngramSpark for pages with lots of ink or full color photos.

Where the IngramSpark edition definitely shines is (of course) in its durability. IngramSpark casebound books are quality productions. Although they do have a glued spine, similar to the paperback book, the cover offers significant protection, especially around the kitchen! As you may already be able to see in some of these photos, the cover on the Amazon KDP softcover edition starts to curl after a bit of use.

Craig has priced his hardcover cookbook at $39.99 and his softcover cookbook at $25.99. Obviously, with paying for design and any other costs like photography, editing, or proofreading, it is hard to break even with a print on demand cookbook, let alone make a profit. For Craig, this project was a legacy project—he wanted to share with his friends and family who have celebrated many Thanksgivings at his table over the years. Being able to sell it to others outside that circle is just an added bonus. If you need to make a profit with your cookbook, check out these ideas for marketing, getting a book printing price from a conventional printer, or printing offshore.


I hope this post is helpful! If you are looking for a Thanksgiving cookbook with a heavy focus on unique vegetable dishes, Craig’s Sides for Holiday Entertaining is a great one, and you’ll be supporting another independent content creator like yourself! Or if you are researching paper types, you may just want to order a copy or two of his book to get a feeling for what your book may look like when it is produced!

Case Study - Financial Book Interior Design and Typesetting

Every #bookdone story is unique, but Paris' story is ideal: it was only about a year from the time she started writing her manuscript to the time when she released her book. Paris knows how to get stuff done! Read on to learn about her self-publishing experience with Amazon KDP and IngramSpark. She released her first book The Black Girl's Guide to Financial Freedom just about one year ago. I was privileged to work with Paris on interior design and layout (typesetting) for this non-fiction financial book.

Paris Woods helps women of color make, manage and multiply their money. She is on a mission to help women of color build wealth while living a life they love. In The Black Girl's Guide to Financial Freedom, Paris Woods takes the guesswork out of wealth-building and presents a plan that anyone can follow. Through real-life stories coupled with clear and actionable advice, Paris' readers learn to:

  • Build generational wealth.

  • Avoid common financial traps.

  • Earn their degree debt-free.

  • Achieve financial independence and retire early.

  • Design a dream life that they can start living today.

Paris' Book Done Timeline

✍️ Writing started: Late 2020 / early 2021
🎨 Files ready for editing, design and layout: July 2021
✔️ Book done (released): October 2021

Paris' Book Done Take-Aways

Here are my questions for Paris about self publishing and reaching book done. 
 

When did you first have the idea for your book?

In 2020, I participated in a program for early stage Black philanthropists in education, and one of the assignments was to create a 20-year vision. While working through that process, I envisioned expanding my personal interest in financial independence to impact a much broader set of people. I envisioned having written a high-impact book as part of my strategy to help positively impact the world. After finishing the visioning process, I knew I had to get started on bringing this book to fruition. 

What was the biggest surprise during your book project?

It was interesting to learn about the role of different professionals during the process. For example, Julie's articles page was really helpful in teaching me about the process of interior layout design. I also got to learn about the role of copyediting; sequencing of cover design, interior design and proofreading, etc. There's definitely a step-by-step process you have to follow to engage the right professionals at the right time to keep things moving smoothly.


Which part of your book project took longer than you expected, and why?

Working with multiple professionals and sequencing the various turnaround times definitely was more time-consuming than I anticipated. I was eager to get this book and its contents into people's hands as soon as possible, but I really had to trust the process and the time it takes to produce a quality product. I even had some people advise me to wait to release it until specific times during the year, but I honestly couldn't wait to put it out into the world once it was done.


Which part of your book project was the most fun or rewarding? Which was the most challenging? 

I really enjoyed working with designers and visualizing what the final product would look like. Getting the writing done and the final drafts perfect were probably the hardest—because I'm such a perfectionist! So having it done, and just getting to enjoy the rest of the process was pretty awesome.

When a book comes to me with the cover already designed, I always try to tie the design of the interior to the already-established cover design. For this book, it meant using some of the same fonts in the interior. I also used dollar signs as bullets throughout the book, since a dollar sign was used on the cover as the woman’s eye.
— Julie

I know you self-published and printed on demand. Which POD printer did you use, and why?

I chose to list my book through Amazon and through IngramSpark, which distributes to a range of retailers, including bookstore and libraries. While Amazon is likely the easiest way to reach the most people as a self-published author, I also wanted independent bookstores and/or libraries to be able to access the book if desired.


When you write another book, what will you do the same way? What will you do differently?

I think in the future it would be interesting to go the traditional publisher route, so that I can experience what that process is like. I would also consider writing a book that is simply for specialized informational purposes—as opposed to hoping to reach bestseller status and wider reach—which would simplify some of the steps I went through in launching this version.

 
What service providers or partners did you have in creating and producing your book?

Key service providers I used included a copyeditor, cover designer, interior layout designer, and proofreader.
 

What is your best advice for marketing a book? And how did you get so many Amazon reviews?

My marketing was mostly word of mouth (via my launch team) and I also ran ads (Amazon ads are a must)!  As far as the reviews, I asked my launch team to write reviews when the book was launched. I also included a page at the end of the book encouraging readers to leave a review.

Is there anything else you want to tell me about your book project?

I have dreamed of becoming an author for many years. Once I finally got clear on the subject matter, and took the time to do the research, I learned that the process is much more doable than I would have thought! Now, I encourage anyone who dreams of writing a book to do it. It's completely possible and there are so many resources to help you do it well.

Check out Paris' YouTube channel for a great example of how you can create videos related to your book content and find your audience. —Julie


Paris' Book Done Technical Details:

Your printer needs these kinds of details to give you a quote for printing a similar book.

Page count: 197
Dimensions (page size): 5.5 x 8.5 inches
Binding: Paperback

Interior details
Ink colors: Black ink only
Interior paper: White (55 lb / 90 gsm)
Bleed: No

Cover details
Ink colors: Full color
Laminate: Glossy

Connect with Paris through her website or on Instagram.


Could this be your #bookdone year?

Two years ago, Paris was perhaps where you are, with an idea bouncing around in her head or a manuscript draft, and within a year, her book was published. I hope Paris' encouragement to not give up your dream of being a published author resonates with you. The only way to reach #bookdone is to get started. Make sure to check out this article: How to Use the Final Page of Your Book for Marketing (Paris did this successfully!) and sign up for my newsletter to get more case studies like this one in your inbox!


Can I Print My Book in Both Soft and Hard Cover with Amazon KDP?

Just a few months ago, Amazon KDP launched their hardcover print-on-demand (POD) book printing service. Previously most self-publishers who were wanting hardcover books used IngramSpark for print on demand printing, because Amazon KDP did not offer any POD hardcover services. But times have changed!

So, can you print your book in both soft and hard cover through Amazon KDP?

Yes, if you are using one of the sizes which they offer in hardcover.

As of this month, Amazon KDP offers sixteen book sizes in softcover, but only these five in hardcover:

  • 5.5" x 8.5" (13.97 x 21.59 cm)

  • 6" x 9" (15.24 x 22.86 cm)

  • 6.14" x 9.21" (15.6 x 23.39 cm)

  • 7" x 10" (17.78 x 25.4 cm)

  • 8.25" x 11" (20.96 x 27.94 cm)

They will probably begin to offer more if their POD hardcover service is successful, but for now, if your book is not one of those five sizes, you cannot print it in hardcover with Amazon KDP. Check here to see all the sizes IngramSpark offers in POD with hardcover.

Yes, if your book’s page count is between 75 and 550 pages.

This means that for a 32-page kids’ book, for example, you can’t print in hardcover. If your page count is between 75 - 550 pages, you’re golden!

Yes, but you need two different cover files.

The interior file for your hard and soft cover books can be the same one, but you will need two different front cover files, because a hardcover book cover is a different size and needs extra image around all edges to wrap around the board.

If you already know at the beginning of your project that your book will most likely be released in both softcover and hardcover formats, this is something you should tell me at the beginning of the project, so that the image I create for your cover has enough margin to wrap around all the sides of the book.

If you already have one cover file but need it adapted to suit the other style of cover, contact me so that I can see if I can adapt the files you have. It is best if we can work from the original, editable cover files (like InDesign or Photoshop files) created by your cover designer, but depending on the visuals of the design and the type of file your designer gave you, we may also be able to work from a print-ready pdf.

Case Study - Complex Business Book Interior Layout

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Space is Open for Business by space investor and entrepreneur Robert Jacobson was self-published in 2020. This book provides a comprehensive overview of the space industry, allowing everyone to understand the role space plays in our lives and how it will continue to transform the world. It includes over 100 industry experts and leaders’ insights.

I designed the interior of this 354-page book with 28 chapters plus appendices and 44 pages of references to match the cover. This book was released as softcover, hardcover, ebook and audiobook—guys, this book means business! 😅 And this case study is full of helpful information, especially if you have a large-scale book you are launching using Amazon KDP and/or Ingram Spark! 🚀 (Hint from Robert: don’t try to do it by yourself!)

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Robert’s Book Done Timeline

🐣 Idea hatched: Spring 2016
✍️ Writing started: Summer 2016
🎨 Files ready for editing, design and layout: Spring 2020
✔️ Book done (released): Fall 2020

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Robert’s Book Done Take-Aways

Here are my questions for Robert about self-publishing his business book.

How did you come up with the idea for your book?

A friend challenged me to use my decades-long experience in space entrepreneurship and business to write a book on the ever-evolving space industry. Neither he nor I realized that it would take four years to come together!

Your book has a lot of interviews in it. How did you collect and organize all that information? 

The interviews were conducted during the research and writing phase of my book project. I used an app on my phone to record the interviews, and hired someone to transcribe them. (Next time I would make a list of key words for the transcriptionist. “SpaceX” was often transcribed as “sex”!) We stored all the text in Google Drive, and my editor and I pulled and edited the interview text for use in the book. The full interviews were then turned into bonus material, and shared on my website.

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Robert’s book is full of custom illustrations and complex charts and graphics. The charts and graphics were pulled from various sources and then redrawn or reconfigured to match the fonts and style of the book.

Whom did you bring on board for book design and indexing?

For the initial cover design research, I hired several different designers through an online freelance marketplace to see what they would create. The results were unprofessional (not surprising, given their pricing.)

My wife discovered Richard Ljones through an online search using several different phrases and keywords such as “award-winning book cover designers”. He started by designing a variety of cover drafts, which my wife printed out in color and put onto books I had in my house. We took photos of the “3D” books with the draft covers, sent them to friends and colleagues, and got some feedback that helped us choose our favorite design direction. Special thanks to my wife for helping with art direction, and Richard Ljones for his fantastic cover design. Takeaway: authors should not skimp on their book cover design.

For the interior design and layout, I worked with you, of course! When I landed on your website, it was clear to me that you could do exactly what I needed. I liked that I could see samples of your book layout work, and that your website was not overly complicated.

I also worked with a professional indexer, Joanne Sprott from Potomac Indexing. Hiring a professional indexer for such a complex book was well worth the money.

I definitely recommend hiring as good a team as you can afford, and then trusting your expert team’s wisdom!

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You self-published and used print-on-demand services. How was your experience working with IngramSpark and Amazon KDP?

I used Ingram Spark (for hardcover) and Amazon (for softcover). 

The quality of Ingram Spark’s soft and hardcover books is pretty good. Their interface online is also pretty good to work with, but unfortunately their customer service is awful. Their website is not up-to-date, emails would not get answered, and both me and my book marketing team were virtually unable to get ahold of anyone over the phone either. The fastest response I ever got from IngramSpark was on Twitter when I posted a complaint. I learned that they answer questions on their Twitter DM, so I started asking no more than two or three questions at a time on there. 

Amazon KDP’s customer service is a bit better, and can often be reached via chat messages on their website, but sometimes you can’t get ahold of the person who can answer your question. Amazon customer service is hard to get ahold of by phone. The quality of Amazon KDP softcover books varies. One reader told me that his copy started coming apart after one or two months. Amazon replaced it at no cost.

All in all, I’m still glad I used print-on-demand services for my books; I have no interest in holding inventory of my books!

How do people order your book, and what is your system for fulfilling the orders?

I sell my book directly through my websiteSpace is Open for Businessis available as ebook, audiobook, paperback (softcover) and hardcover.

The ebook and audiobook are distributed as a download. For hardcover book orders I used Shipstation for 11 months to handle communications and logistics. Recently, I switched to Shopify due to new requirements. 

For softcover books ordered through my website, I place those orders on Amazon myself, and have Amazon fulfil them. It’s worth noting that I purchase author copies via Amazon, which are at a price not available to the public.

What are the benefits of printing through Ingram Spark vs. Amazon KDP?

Amazon KDP does not offer a hardcover book option for print-on-demand, but Ingram Spark does. Ingram Spark also makes your book available to other retailers. Some independent bookstores might also distribute your book because they are connected through Ingram Spark’s network.


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See more pictures comparing Robert’s print book and ebook here.

What about your book project took longer than you expected?

Everything took longer than I expected! But in particular, ordering printed proofs of my book was something I wish I had planned into my timeline. I ordered printed samples from both printers before officially launching my book. Allow 2-3 weeks for your samples from Ingram Spark to arrive by mail in the USA; Amazon KDP samples are a bit faster.

What are your book marketing tips?

  • Start the branding and promotion of your book over a year in advance. Start posting sample material or posts related to your subject matter online, just to get people noticing your name and your book idea. Don’t overthink it; just post about things you’re working on or researching!

  • Plan a few months to build your Amazon KDP book page. This allows time to work out any problems and pick out the right metadata, keywords, etc. 

  • Consider using Aer.io (part of the Ingram Spark family) to make your own online bookstore. 

  • Offer to answer questions about your book or your subject matter live online; I did this on Reddit and YouTube. 

  • Make a book trailer for YouTube.

  • Hire a social media manager, virtual assistant or project manager to coordinate the moving parts of your book project and marketing if needed.

Robert and his team launched an impressive, professional book! If your manuscript is complex like his (with a large number of sections, styles, graphics, tables, etc.) it’s good to contact me several months before your book is ready for layout, to discuss the best way to create and organize the files, as well as to schedule a start date to begin the design once your manuscript is fully edited and proofread! Find out if you are ready to work with a book designer or sign up here to get more case studies like this one in your inbox!

What Your Designer Needs to Know to Design Your Book Cover

What does your book designer need from you to design your book cover and then to prepare it for printing? The path to publishing can be confusing, and I hope this article will lay out for you everything you need to consider—or the information you need to gather—to hand over to your professional book designer. Preparing everything your book cover designer needs ahead of time will save you and your designer time, and perhaps save you money, too!

This front cover was designed by Usman Saleemi for Eline Allaart. I made final adjustments to the front cover and then designed the back cover and spine to match the front cover.

1. For the front cover

In order to design a relevant and impactful cover, I ask my clients to fill out a questionnaire that gives me all of the information I need. Some of the main information I ask for in the questionnaire is:

  • The finalized book title (and preferably the subtitle, too).

  • A description of your book’s target audience.

  • Names of other books that might be targeted to the same audience.

  • Examples of a few book covers that you like and/or don’t like.

  • Cover dimensions (width x height) - designing a cover before this information is available is problematic.

I also like to have a one-page book summary that I can read to learn the main themes of your book.

If you have a particular image or graphic that you want to include on the front cover, provide this in the highest quality/resolution possible.

2. For the back cover

The back cover of your book will only be designed after the front cover design is finalized. Which of the following elements do you want to include, and do you have them ready? Don’t forget to see what other authors in your genre include on their back covers and decide how similar you want your back cover content to be.

  • Title, subtitle (sometimes included on a back cover, sometimes not)

  • Book summary text and possible subheading(s)

  • Any other photos, graphics or symbols (or the designer will suggest what visuals would be best for the back cover)

  • Author bio and / or author photo

  • Endorsements

  • Advertising copy (such as “More than 10,000 copies sold!” or “Now in its third edition!”)

  • Credit (sometimes a cover design, cover image or translation credit is included on the back cover)

  • Publisher or company logo(s)

  • Website or contact information

3. For the barcode / ISBN area

  • Barcode file: The file I need to place your barcode on the back of your book is preferably an eps (vector) file of the barcode. However, pdf or jpeg format may work as well. If you are working with a publisher, the ISBN and barcode file will likely be provided for you. If you are self-publishing, you will need to buy and access the ISBN and barcode files yourself. (If you are creating your book through a print-on-demand printer like Amazon KDP, they may include a free ISBN and barcode and may even offer to place the barcode onto the cover after it arrives at the printer. If this is the case, I don’t need the barcode file but I do need to know where the barcode will be positioned and its size. The printer should be able to provide a template showing this.)

  • Price: If you want the price included on the back cover and and it is not already embedded in the ISBN graphic, please provide the price (or prices, if it will be sold in different countries/currencies).

4. For the spine

To build the spine of your book, I need to know two things:

  • What content should be included? For the spine, the standard is to include the title and author name. If you want to include a publishing house logo or anything “extra” you should send the logo along in eps format or in the highest quality/resolution possible.

  • How wide is the spine? Spine width depends on the number of sheets of paper in your book and what kind of paper is used (every brand or type of paper has a different thickness). Your printer can only give you the spine size once you know exactly how many pages are in your book. If you are using a print-on-demand printer like Amazon KDP or IngramSpark, you can calculate the spine size yourself on their websites. If you are using a traditional printer, you will likely need to contact your sales representative and ask him or her. Either way, your book’s spine cannot be created until you send this information to the designer.


Ready to get started on your book cover project? Learn more about my book design service and start thinking through what you need to provide to make the design process run smoothly!

Design and Print Production Considerations for a Book in the Grief and Loss Genre

This week I was discussing a book interior layout project with a client who is self-publishing in the Grief and Loss genre. As I spoke with her about a wide variety of topics related to the preparation of her book, a few thoughts came to mind that might also help others self-publishing in this category. 

Self-publishers face a myriad of options but don’t always know what suits their genre best. Making thoughtful decisions about your book’s physical appearance and layout will ensure that your final physical product reflects the heart of your book.

Photo by Kelly Sikkema

Photo by Kelly Sikkema


1. Choose off-white or cream-colored paper instead of white.

There’s something about the warm tones of cream-colored paper that just gives a warmer and more approachable feeling to your less-than-approachable topic. Black words on white paper feel a bit stark and academic — white paper is often the stuff of office work and text books. There is no hard and fast rule about this, but cream-colored paper is most often used in this genre and feels more welcoming. If you’re self-publishing at CreateSpace, cream and white are your only two paper options.

2. Choose matte cover paper instead of glossy.

A flashy, glossy cover screams “exciting” and “new” — not really what most authors are going for when approaching the topic of grief. Opt for a matte cover paper, even if your cover design has photos on it, to lend a more subdued, respectful tone to your serious topic. Whether you’re printing on demand with a printer like IngramSpark or CreateSpace, or working with a traditional publisher, ask about cover paper with a matte finish.

3. Consider a smaller format.

A smaller, easier-to-read format lends itself to being picked up when the reader has a few minutes to spare. It makes your book easier to tuck in with a gift or to mail to a friend going through a hard time. If your book is made up of short readings, poetry or stories, a small format is particularly natural; consider a size of around 5.5x8.5” for your book. But do let the nature of the content dictate the size — some years ago I laid out this Notes from Susie book interior and it was a standard 6x9” size. This 400-page collection of the deceased author’s writings would have been too thick in a smaller format. The same might go for books that are compilations of longer essays or a Grief and Loss genre book whose nature is more academic than coffee table.

4. Choose colors that suit your genre.

In Western cultures, usually cooler colors in the purple and blue spectrums are most associated with the subdued themes of suffering, healing and grieving. Purple has liturgical ties, and blue might remind the reader of water, the sky, or Heaven. (Green probably starts to feel too earthy or medical, unless your book’s theme leans that way.) Neutrals can also be a good choice. In many Asian cultures, white is the color of mourning; and in many Western cultures black or grey is associated with death or loss. Research your audience and work with your cover and interior layout designer(s) to pick colors that best convey the material you are self-publishing. Discuss colors ahead of time, or if your designer picks colors you were not expecting, feel free to ask his or her reasons for doing so.

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If you are looking for cover design or interior layout for your book in the Grief and Loss genre, I’d be happy to help you take these ideas into consideration and make your book more approachable and shareable when people are hurting. After all, you wrote it to reach those people, right? Now you’re on the home stretch — make smart design and print production choices to make sure your book catches your intended audience’s eye! Contact me here to learn more about working together.